Decameron Two Naughty Tales Review

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Decameron: Two Naughty TalesLucas Kazan
Director: Lucas Kazan
Reviewed by: Patrik Fox
3/20/2005 comments link


Filmed on location in rural Italy, Lucas Kazan's Decameron takes a classic work from the literary canon and gives it steamy new relevance. Sexy and shirtless Ricky Martinez, in period garb, narrates, reading first from from Boccaccio's First Novella of the Third Day: "Once upon a time, there was a handsome peasant. His name was Masetto..."

Kazan takes a modern approach to the classic short stories — written by young, unmarried nobles as an escape from the Black Plague — by putting his actors in blue jeans, while clinging to authenticity by throwing in Italian dialogue with English subtitles. The combo is hot.

Czech heartthrob Eric Flower plays the Peasant, who wanders into the midst of three strapping farmers — Venezuelan Jean Franko, and Italian studs Alberto Ventura and Marco Sisto. Deaf and dumb, Eric is looking for some work, and also some play, which the farmers are more than game to provide!

Beginning with two whimsical montages of the sexy, hung Euro-farmboys splashing around in a pastoral environment, the Peasant's true intentions become more than clear. Franko and Sisto approach Flower at his labor, and Franko is pleasantly surprised when the two men reveal their desire to sleep with him (after all, a mute can't tell anyone he's horny). The two bring him inside to reveal a somewhat bizarre royal blue interior, where the farmers switch off getting their huge cocks sucked by the Czech dreamboat.

This scene is most remarkable for Franko's endurance. After he spouts a tremendous load upon the Peasant, he grabs him by the back of the head and brings him back for more. Through the steady hand of the silent Eric Flower, he comes a second time. The two of them then abandon Sisto when the bedroom beckons them, and Franko takes his turn hungrily eating Flower's tight, European butt before lifting him up and plowing him like only a true farmer could. Following several minutes of no-nonsense, savage fucking, Franko pulls out and climbs over Eric's stiff tool for his turn at being plowed.

If I had to cavil, I'd say this scene suffers by maintaining only one camera angle during the sex — a tad boring. But the players' simultaneous climax is sweaty and brutally hot, and Lucas artfully fades the scene to black as they rub their hot juices across each others' ripped torsos.

Martinez, still relaxing in the forest with his book, begins to tell another tale — one of two young men who "were always together, and loved each other like brothers." The director takes ample opportunity to show off Italy's beautiful and historic surroundings during the lead-in to this naughty tale. The two friends gallivant amongst cobblestone alleyways and breathtaking architecture, and there's really nothing like seeing two beautiful Italian men in a beautiful Italian village. This aspect — being able to watch action that takes place in a beautifully photographed, outdoor setting, as opposed to merely some dingy hotel room or fake-looking set — is one thing I admired most about Decameron.

The soundtrack is playful and mischievous, which lends itself to the atmosphere of the production. Jean Franko returns for his second role in the ambitious feature, as Zeppa, friend of Spinelloccio (played by the sultry and well-framed Leon). Zeppa discovers that Spinelloccio is and has been fooling around with his boyfriend, played with boyish charm by Wilfried Knight. It is certainly easy to see why Spinelloccio can't keep himself away from the attractive hunk, and Zeppa's jealousy is similarly understandable.

One day, Zeppa discovers the two as they passionately embrace, devouring each other in front of a rustic homestead. The two abandon their outdoor surroundings — oh, and their pants — for the less exhibitionistic surroundings of the house. The two stand side by side, stroking their powerful cocks and it's mere moments before they've leapt into bed, Leon's Spinelloccio sprawled over Wilfried, sucking his cock feverishly, as Knight indulges himself in Spinelloccio's divinely round, sculpted bubble ass. The two olive-toned physiques, intertwined atop the deep blue bedspread, is breathtaking.

They climax and continue their sexcapade with an appropriately intense fuck session. Leon's body is powerful and sculpted, and Knight exudes sexiness, grasping the edge of the mattress in ecstasy and displaying why I consider him one of the hottest bottoms in the business. The camera wanders from behind, to the side, and into a creativeand very hot mirror shot of the two studs.

Zeppa discovers the deceitful twosome in the midst of some sideways fucking and remains in the shadows until the furious action subsides. When Leon powerfully orgasms across Knight's backside, it is one of the hottest moments in the film. Zeppa scolds Knight, who remains nude, sprawled across the bedspread like a Michelangelo painting and offers him a chance at retribution and revenge upon Spinelloccio.

Here, Ricky Martinez is momentarily jolted out of his storytelling by his own arousal, then digresses into the tale of the third farmer, Alberto Ventura, who discovers the trusty old deaf mute Peasant naked in his yard.

Ventura grabs Eric Flower by his large, sculpted ass, and leads in into a barn. The fact that the interior of the pastoral barn has been painted in neon violet is a bizarre directorial choice, and it jolts the continuity and somewhat destroys the atmosphere. Thankfully, Eric's titillating cocksucking ability makes this easy to ignore. Eric is perched upward for a severe ass-eating, and then the tables turn once again as Ventura is put in the same place so that Eric can give him a proper and very hot penetration. The two actors try out a variety of positions, reflecting the plebian power strugglebetween the farmer and the young laborer.

Martinez plays a strong cohesive role in the film as the narrator, who is so turned on by the tales he tells that he is forced to take periodic stroking breaks, which are a highlight. He then places himself into the continuation of the previous story, as Spinelloccio's boyfriend. Zeppa seems to have a specific plan for getting back at his backstabbing friend. Martinez resists, but ultimately gives in to the strong and sultry advances of Franko's Zeppa. Zeppa lays Martinez down on a tabletop and feeds him his enormous dick, while Leon's Spinelloccio is forced into the erotic torment of watching from the sidelines, hidden for fear of being discovered by Zeppa in his home. He pleasures himself in silence as his boyfriend is feasted upon by the insatiable Zeppa. Jean Franko, by this point, establishes himself as the standout performer in the film with his unquenchable thirst for the flesh of young men, and his unwavering delivery of forceful, agile fucking. A variety of flat surfaces are used, highlighting the animalistic urgency guiding the men. He employs creative angles with his long, hard dick and his stylistic choices and talented expertise are unbelievably sexy.

The film concludes with the four men make peace and have lunch together, and passionately kiss as the credits roll over an operatic soundtrack.

I've never read Boccaccio's literary masterpiece, which was an inspiration to Chaucer, Shakespeare, and Balzac. But I do know enough to see how the movie highlighted the book's important themes of deceit, love, and sex. And if you have a thing for sexy Italians and picturesque countryside (and who doesn't?), then you'll salivate over this sleek offering from Lucas Kazan Productions!

Starring: LKP Exclusives Jean Franko & Leon.

Also Starring: Wilfried Knight, Ricky Martinez, Eric Flower, Alberto Ventura, and Marco Sisto.

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